2 copies. Original typescript, corrected in pencil, letter-size, and carbon copy, 18 pp. It is in a Leverton folder labeled "Anthologies: An Evening in Sorrento."
Original typescript one-act in red and black ink, 41 pp., with three pages of introductory material following the title-page: Characters; Time-Place-Scene-Note; and p. "(0)" immediately prior to p. 1, setting the scene, or background. Bound in a tan folder, stamped both lower right front cover and lower right title-page "To be returned to Samuel French...."
Carbon copy black and red typescript for a one-act, with an original title-page and verso, six other pages of introductory material (Cast, Characters, Character descriptions, Note, and Scene. On Scene page at top in black pencil, a stage plan sketch. Bound in tan, with clip-pins, with title, author name, and address: "Care of Samuel French...," the address repeated on the title-page.
Mimeographed typescript, legal size, on onion-skin paper, with printed title-page partially missing (lower half; title and part of translator's name present). 56 pp. bound in folded-over peice of oil cloth, with clip pins through holes binding. "1872" on front cover.
Single-spaced typescript, black ink only, of a three-act play, as translated. Unpaginated (34 leaves). In a folder labeled by Leverton "'SS Tenacity By Charles Vildrac English translation by Sidney Howard."
Legal sized typescript volume, hand stitched binding in thin paper. On cover: "Original" and "5 Acts" in blue pencil. One-page pencil "Song" inserted before Act IV, p. 13, with a note where it fits in the typescript.
Typewritten script, bound in yellow boards of Rialto Service Bureau, New York; stamped "from Co-National Plays, Inc.,... New York City"; "Burlesque" on front cover, center. Paginated Act I, 30 pp.; Act II, 23 pp.; Act III, 16 pp.
Lined manuscript copy book, 10" tall by 8" wide, two signatures sewn together in brown wrappers, though only the front wrapper of he first signature and the back cover of the second survive. Act 1, 22 pp., Act 2, 28 pp. On the front cover, in tall, underlined ink script, "The Wizard Skiff/Prompt Book." In pencil, lower right, "by Augustine [sic] Daly." Stamped "T. Goodwin, No. 7/ Vandams/ New York." The title-page reads: "W. Wheatley/The Wizard Skiff/or the/ Massacre of Scio/ A nautical and romantic Melodrama/ in Two Acts./Partly founded on the massacre of Scio, and/partly on a popular superstition prevalent/in the Greek Isles-/Written for Mad'lle. Celeste, by the author of/ The Spirit Bride" etc. -"
Typescript, in black, elite single-spaced, 9 pp.
Original typescript of four-act play, variously paginated. On the title-page, typed: "Billy the Kid" and "Property of: Mrs. William Wood 318 West 51st Street New York City. In pencil: under the title "By Walter Woods" and "MS submitted by Barrett H. Clark Briarcliff Manor, N.Y." Pencilled in the upper left corner of the title-page, apparently in Barrett Clark's handwriting, "See Audrey Wood re copyright Lapsed last year".
Original trypescript (black with red pencil underlining, letter size, in three parts, with clip-pinned blue paper covers. Stamped "to be returned to Samuel French..." on cover front. The other two parts' covers are marked "Rosenfield Stenography..." Part I includes a title-page, "Cast of Characters" page, and Act I. script, 31 pp. Part II., Act II., includes 27 pp. Part III., Act III., has 22 pp. The front cover of Part I. is marked in pencil "1887."
Typescript, 40 pp., soft bound in a blue folder printed from "Selwyn & Co., Play Brokers...New York," upper left corner of front cover.
Records of student productions under Leverton's direction at the Northwestern University Theatre in the 1920s and 1930s.
This production at Northwestern July 1937 was staged by Garrett Leverton, according to the program, p. 4, v. 1. p. 10 of v. 1 includes a handwritten note of thanks from Glaspell, the author. There are twelve 4" x 6" b & w photographs of stage settings, etc., v. 1, pp. 77-82.
V. 2 is a prompt script with a printed version pasted onto the notebook pages, and heavily annotated with instructions.
Prompt script for Belle Lamar, apparently by director John F. Baird. Galley proofs for script, pasted onto three-ring punched paper, with handwritten annotations (more than one hand). Flyer included but top half is torn. Unconfirmed that this was a Northwestern University Theatre production.
Production package for a January and June (commencement) production of Ghosts, by the Seminar in Dramatic Production: typed prompt script with diagrams and photos of stage directions and appearance, and Part II, Technical Reports (Stage managers with working drawings and elevations, properties, costumes, and make-up. Originally leather-bound, zip ring binder, stamped in gold "GHOSTS / Ibsen," included.
Partial package, apparently for a thesis (on list of such Dramatic production Theses, elsewhere in collection). Part II, sections 1 (prompt script) and 2 (scene designs, three color elevations, three plans, equipment set-up charts, light plot; costuming, with twenty color plates; properties; music; and make-up).
Production reports on the play which ran at Northwestern: make-up, technicians, and properties.
Master's thesis package for this play by Francis Beaumont, 1584-1616, and John Fletcher, 1579-1623, including script, music, playbill for this revival production on July 29, 1936 at Northwestern U., etc. Notable are thirty full-color hand-painted costume plates, plus one stage ground plan and one such elevation, painted in color.