5 Items, black and white. 2 stamped with "Afredo Valente."
Potentially photos developed as postcards and in a sleeve titled, "Tell Freilichtspiele Interlaken."
Typescript in four parts, one for each act of the play. Act I contains a pen and pencil sketch of the set on the first page. Each part paper bound in the stenographic service's (Rosenfield's) blue cover, and stamped both from Frank W. Sanger and also from Sanger & Jordan, New York.
Four handwritten ink manuscript parts, one for each of four acts, with tan paper covers sewn together with slightly darker tan thread. The cover for Act I.'s part reads "Follime" in ink, with "Comedy in 4 Acts by Augustin Daly" and above in upper right corner, "1877." The text is in blue ink, with underlining and notes in red pencil and black ink.
Carbon copy typescript. Cover is a manilla file folder, with two clip pins to bind it to the script. On the front cover, typed "The Warrens of Virginia" and in pencil script: "Dear Garrett - Here's a present. Keep this. It's a copy of an authentic script - 4 Nov. 37 BHC."
Typescript. Only two copies of this play are known to be in existence, Harvard has the other." Letter from Leverton to Ernest Johnson, available in deed of gift file.
Typescript, unbound
Typescript, heavily annotated in red, blue, and black pencil, bound in a piece of linen folded in the middle and sewn for a binding with a piece of brown thread. On the front and back covers is typed "Out of the Fold." Stamped at the left, front cover, is "Property of Mr. Barry O'Neill." Preceded by a Music plot (1 p.), Notes (1 p.), Dress, etc. (3 pp.), and Cast and Synopsis (1 p.), script as follows, Act I, 19 pp., Act II, 28 pp., Act III, 24 pp., and Act IV, 20 pp. On the verso of the page preceding Act I., p. 1, there is a stage plan in pencil. Verso of Act II, p. 29 shows in pencil a stage plan, with notes on props. One smaller sheet of paper is inserted at the end of the preliminary Dress, etc. section, with notes on the verso of a printed sheet for Proctor's 125th Street Theatre, "You will kindly be dressed and in readiness for your performances as follows...."
Typescript on paper watermarked "Northwestern University." Corrections to the typescript in pencil.
Typescript on paper watermarked "Northwestern University" with marks in pencil.
Typescript on paper watermarked "Northwestern University" with markings in pencil.
Typescript, 40 pp., soft bound in a blue folder printed from "Selwyn & Co., Play Brokers...New York," upper left corner of front cover.
Legal sized typescript volume, hand stitched binding in thin paper. On cover: "Original" and "5 Acts" in blue pencil. One-page pencil "Song" inserted before Act IV, p. 13, with a note where it fits in the typescript.
Typewritten script, bound in yellow boards of Rialto Service Bureau, New York; stamped "from Co-National Plays, Inc.,... New York City"; "Burlesque" on front cover, center. Paginated Act I, 30 pp.; Act II, 23 pp.; Act III, 16 pp.
Typescript, in black, elite single-spaced, 9 pp.
Production package for a January and June (commencement) production of Ghosts, by the Seminar in Dramatic Production: typed prompt script with diagrams and photos of stage directions and appearance, and Part II, Technical Reports (Stage managers with working drawings and elevations, properties, costumes, and make-up. Originally leather-bound, zip ring binder, stamped in gold "GHOSTS / Ibsen," included.
Master's thesis package for this play by Francis Beaumont, 1584-1616, and John Fletcher, 1579-1623, including script, music, playbill for this revival production on July 29, 1936 at Northwestern U., etc. Notable are thirty full-color hand-painted costume plates, plus one stage ground plan and one such elevation, painted in color.
Production reports for a 1937 performance of the play
Galleys of Samuel French 1932 ed. pasted on three-rind binder paper, with annotations in ink, 30 leaves.
Handwritten ink prompt script, on three-ring punched paper. There are listings of properties, lighting, and characters, with a diagram of the ground plan, second part.See the program for the "The Spook Sonata," item 10, the play that appeared as the first part of a two-play program, "March 21-22-23," at Northwestern, directed by Leverton. Kenneth Higgins wrote the program note for "Theater of the Soul." The play was directed by John Baird.