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This production at Northwestern July 1937 was staged by Garrett Leverton, according to the program, p. 4, v. 1. p. 10 of v. 1 includes a handwritten note of thanks from Glaspell, the author. There are twelve 4" x 6" b & w photographs of stage settings, etc., v. 1, pp. 77-82.

V. 2 is a prompt script with a printed version pasted onto the notebook pages, and heavily annotated with instructions.

Carbon typescript index of plays

2 versions. 1 copied and listed as properrty of Barrett H Clark with a return address and 1 bound, mimeographed copy.

Typescript and manuscript proposal for a play anthology.

Typescript of course syllabus

Typescript in four parts, one for each act of the play. Act I contains a pen and pencil sketch of the set on the first page. Each part paper bound in the stenographic service's (Rosenfield's) blue cover, and stamped both from Frank W. Sanger and also from Sanger & Jordan, New York.

2 copies. 1 printed copy of Samuel French published version, heavily annotated in green ink for transcription.  On the cover Barrett is listed in print as translator, but he has crossed this out and added "Revised BHC." 1 typescript copy "Revised by Barrett H Clark

Typescript, called "biography" by Leverton's mother in deed of gift.

Typescript, single spaced, on onion skin paper (8.5" x 11"), in a blue hard paper folder.

Prompt script for Belle Lamar, apparently by director John F. Baird. Galley proofs for script, pasted onto three-ring punched paper, with handwritten annotations (more than one hand). Flyer included but top half is torn. Unconfirmed that this was a Northwestern University Theatre production.

Two typescripts, one dated April 4th, discussing plays from 1910 presumably written by Leverton for a series of talks named "Bookshelf Broadcasts."

Three lined copybooks, one labeled in ink with the author's name, the title, "Act 1," and in pencil "1884," the second "Act 2nd,"  and the third "Act 3rd."  The three books have printed text pages pasted into them, on the rectos, with directions on the versos, facing.  They appear to be signed as property of the author, p. 1 each.  Also, stamped "Return to Samuel French... N.Y." There are annotations in pen and pencil, some over struck.  A note in pencil at the opening of Act I. indicates this is one of twelve copies. The script includes significant changes in ink to the printed text.

Typescript in a tan Samuel French paper binding. See: Series I, Folder 14 for related material.

Member's copy of the index for the Drama Service guild at Northwestern University and 1 manuscript titled "Our American Theatre."

Diploma for Doctor of Philosophy from Columbia University

Typescript, paperbound and front cover stamped "Copyright,  1914 by Alex. Byers" and "...[P]roperty of The Chicago Manuscript Company."

Printed article, removed from book.

1 letter addressed to Leverton and a carbon copy of his response. Envelope included.

42 items of correspondence exchanged between Barrett Clark and Leverton.